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The fastest, easiest, most comprehensive way to learn Adobe� Illustrator�� (2014 release)
Classroom in a Book, the best-selling series of hands-on software training workbooks, offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts.
Adobe Illustrator Classroom in a Book contains lessons that cover the basics, providing countless tips and techniques to help you become more productive with the program. You can follow the book from start to finish or choose only those lessons that interest you.
In addition to teaching the key elements of the Illustrator interface, this completely revised edition covers the new Live rectangle and rounded rectangle functionality, preview a path as you draw with the Pen tool, new workflow for dealing with missing Typekit fonts, anchor point�enhancements�like repositioning the closing anchor point as you draw, and much more.
Purchasing this book gives you access to the downloadable lesson files you need to work through the projects in the book, and to electronic book updates covering new features that Adobe releases for Creative Cloud customers. For access, goto www.peachpit.com/redeem and redeem the unique code provided inside this book.
“The Classroom in a Book series is by far the best training material on the market. Everything you need to master the software is included: clear explanations of each lesson, step-by-step instructions, and the project files for the students.”
Barbara Binder,
Adobe Certified Instructor
Rocky Mountain Training
- Sales Rank: #77234 in Books
- Published on: 2014-11-09
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .90" w x 7.30" l, .0 pounds
- Binding: Paperback
- 480 pages
About the Author
Brian Wood is a web developer, the author of 9 books,�and the author of�numerous training titles covering Muse, Dreamweaver,�InDesign, Illustrator, and�more. In addition to training many clients, including Nordstrom, REI, Boeing,�Starbucks, Nintendo, and many others, Brian�speaks regularly at national�conferences, such as Adobe MAX,�HOW Design, and HOW Interactive,�as well as events hosted by AIGA and other industry organizations.�He has also�written articles for�SmashingMagazine.com, Peachpit.com,�CreativePro.com, Adobe Inspire magazine, and�more. Brian has�a YouTube channel at youtube.com/askbrianwood.com�and a�corporate training site at�brianwoodtraining.com.
Most helpful customer reviews
31 of 34 people found the following review helpful.
It’s a VERY Solid 5 Stars.
By Brian M. Stoppee
We’re not new to Illustrator (Ai). We go back to Ai 3 (in the minds of many, the first real Ai). Before that, we used Aldus Freehand. In 1987, when Adobe introduced Illustrator 88, their first app, vector drawing was primarily used for creating lines, shapes, and type. Illustrator 88 was something of Adobe’s in-house tool for creating fonts. Feeding the need for typefaces, on Macs, and their PostScript printer output language, was Adobe’s key revenue stream, before Illustrator changed their business model.
Classroom In A Book (CIB)
This is our 108th CIB. These editions have been our verification that we are up to speed on what’s happening with the Adobe apps since the first CIB was released for Photoshop 4 in 1997. With time, other educators of creative professionals have adopted Classroom in a Book as the gold standard for what needs to be taught, not just to be proficient in a specific software program, but as an essential stepping stone to becoming an ACE (Adobe Certified Expert).
Here’ a bit of a disclaimer, so we don’t mislead anyone. There was a time when you could read a CIB, cover-to-cover, and know everything the ACE exam included. And, you were very much an expert in that app.
The days are over when all the lessons you need to know about an Adobe app can be taught in something less than 500 pages. This CIB is Illustrator CC 2014, which is better known as Ai 18. In 18 versions, since 1987, Adobe has packed enough features into this app to require well over 1,000 pages to teach them all.
A year and a half ago Adobe made the move from their CS6 perpetual licenses to the Creative Cloud subscription model. One of the many benefits is that subscribers no longer needed to wait 18 to 24 months for a new version to keep up with the industry’s technological changes. Now we get Illustrator 18.0 and a few months later 18.1, then 18.2, etc. Those incremental updates are known as “dot releases.”
For educators, especially those in the printed materials business, that was a confounding change. It gives books a much shorter shelf life until a new edition needs to be published. For the dot releases the people at Adobe Press (Peachpit) came up with a fabulous solution for the readers. The previous CIB series took on a new life as “living books.” Peachpit put additional chapters on their website to keep up with the features which the dot releases offered. The entire solution is ambitious and we hope it continues.
For this edition of Ai CIB, author Brian Wood, has once again revised most of the chapters, keeping things refreshed.
To Be 100% truthful though we have never met Brian, we are Adobe Community Professionals (ACP), run an Adobe/Apple Authorized Training Center (A/AATC) in conjunction with the Virginia higher educational system, and advise Adobe. We’re written three books and are asked to contribute to books every year, including other Peachpit titles. Therefore, we work on projects with many authors and are involved in presentations and forum discussions with this book’s author.
We mention our A/AATC because the CIB series is the preferred teaching tools of our Adobe Certified Instructors (ACIs). That’s one of the reasons we review each one of these, cover to cover.
That said, we were not always avid followers of the CIB series. There was a period of time when the lessons were not well-tested and some things just did not work as well as they should have, which turned off many readers.
What’s New in Adobe Illustrator CC (2014 Release)
We always love to see the “What’s New” and “Quick Tour” sections which precede chapter 1. Though readers like ourselves and our ACIs appreciate this section, newbies might find all this concise information to be exhausting. So, if you’re new to Ai, don’t let the “What’s New” pages rattle you.
Throughout this book, if you begin to feel overwhelmed by the power of Ai you’re not alone. It’s a huge app with a long history. While working through these chapters, we suggest you take frequent breaks. Here’s what’s at this chapter’s core:
Creative Cloud Libraries 6
Curvature Tool 6
Touch Workspace 7
Area Type Autosizing 7
Live Shapes 7
Typekit Integration 8
Pen Tool Preview + Drawing-Related Enhancements 8
Pencil Tool Enhancements 8
Path Segment Reshaping 8
Join Tool 9
Other Enhancements 9
Windows GPU Acceleration 9
SVG Enhancements 9
Anchor Point Enhancements 9
Custom Tool Panels 9
Settings Import + Export 9
A Quick Tour of Adobe Illustrator CC (2014 Release)
The book claims that you should be able to complete this chapter in an hour. If you’re new to Ai, don’t feel bad if it takes two hours, if not longer.
The purpose of the chapter is to provide a quick look at Illustrator’s core. So, you do not need to find your way through the entire book before you ask yourself, “Is Illustrator what I need?” You have an excellent overview with:
Getting Started 12
Create a New Document 12
Sync Settings 12-13
Draw Shapes 13
Apply Color 14
Layers 14-15
Draw w/the Pencil Tool 15-16
Edit Strokes 16
Width Tool 17-18
Create Shapes w/the Shape Builder Tool 18-19
Copy Content 19-20
Symbols 20-22
Place Images in Illustrator 22
Image Trace 22-23
Create a Clipping Mask 23
Create + Edit Gradients 24-25
Type 26-27
Warp Text 28
Brushes 28-29
Effects 29
Chapter 1 - Getting to Know the Work Area
As previously mentioned, Ai is an 18 version old app. Upon launching the app, it looks as approachable as any other CC app, with a Photoshop or InDesign like UI (user interface). However, this chapter opens the door and quickly displays how feature rich Ai really is. This chapter is packed with the basics. It’s well illustrated and depicted. Take your time. Invest at least an hour. If your goal is to complete the chapter’s lessons, ASAP, you may not be well-versed enough in Ai basics to successfully finish the next 14 chapters, and worse, maybe not attain your full Ai potential.
Page 37 is a good example of that. It’s primarily a valuable look at how the Tools panel works. Don’t say, “Okay.” and move onto the next page. Stop and study what it’s all about.
Here’s what you’re looking for:
Introducing Illustrator 32
Start Illustrator + Open a File 32-47
Workspace 34-35
Adjust the User Interface Brightness 36
Tools Panel 37-40
Custom Tools Panel 40
Control Panel 40-41
Work w/Panels 42-44
Edit Panel Groups 44-45
Reset + Save Your Workspace 46
Panel Menus 47
Artwork Views 48-51
View Commands 48
Zoom Tool 48-49
Touch Workspace 50
Scrolling through a Document 50-51
View Artwork 51
Navigate Multiple Artboards 52-56
Artboard Overview 54
Navigator Panel 54-56
Arrange Multiple Documents 56-58
Find Illustrator Resources 58
Since knowing this chapter perfectly is essential, we suggest that you go back and test yourself. It’s easy to breeze through the lessons and complete them but you need to check that you didn’t just follow the steps, you actually learned the concepts which you are now able to apply.
Chapter 2 - Techniques for Selecting and Artwork
If you are coming into Ai from other CC apps, such as Photoshop or InDesign, where you select objects and manipulate the selection, don’t expect to cover any new ground, here. To keep this interesting, the projects are based on working with a humorous-looking robot which could be a mock-up for a toy. It’s another tightly-packed series of lessons, but at this point you should have sufficient background to complete them in around an hour. Upon completing this, you should feel like your know something about Ai and can get comfortable with it.
Getting Started 62
Selecting Objects 62-68
Selection Tool 62-64
Direct Selection Tool 64
Selection + Anchor Point Preferences 65
Create Selections w/a Marquee 65-66
Create Selections w/Magic Wand 66-67
Selecting Similar Objects 67
Select in Outline Mode 68
Align Objects 69-71
Align Objects to Each Other 69
Align to a Key Object 69-70
Align Anchor Points 70
Distribute Objects 70-71
Align to the Artboard 71
Work w/Groups 72-74
Group Items 72
Isolation Mode 72-73
Create a Nested Group 73-74
Object Arrangement 74-76
Arrange Objects 74-75
Select Objects Behind 75-76
Hide + Lock Objects 76
Chapter 3 - Using Shapes to Create Artwork for a Postcard
Creating basic shapes was the original mainstay of Illustrator 88. The chapter shows that Ai has clearly moved on from the basics. That’s apparent starting on page 86, where you begin to work with Live Shape. One of the claims to Classroom in a Book fame was always the inspirational exercises which made trainees feel, “I can do this!” and it is empowering experience. This is true of this chapter. It’s both simple and effective.
On page 110, a section on Image Trace begins. Use this to spark your imagination as to how you can bring photos into Ai to become reference sources.
Getting Started 80
Create a New Document 80-81
Basic Shapes 82-96
Create Rectangles 82-84
Document Grid 84
Create Round Rectangles 85-86
Edit the Corners of a Live Shape 86-87
Create an Ellipse 88-89
Create Polygons 89-90
Create Stars 90-92
Change Stroke Width + Alignment 92-93
Align Strokes 93
Lines 93-94
Join Paths 95-96
Open Path vs Closed Path 96
Edit + Combine Paths + Shapes 96-106
Width Tool 96-100
Save Width Profiles 100
Outline Strokes 100-101
Shape Builder Tool 101-103
Shape Builder Tool Options 103
Pathfinder Panel 103-105
Pathfinder Effects 103-104
Shape Modes in the Pathfinder Panel 104-105
Eraser Tool 105-106
Drawing Modes 106-109
Draw Behind Mode 106-107
Draw Inside Mode 107-108
Edit Content Drawn Inside 108-109
Image Trace to Create Shapes 110-112
Clean Up Traced Artwork 112
Chapter 4 - Transforming Artwork
This is an impressively crafted chapter. As the reader works on things like a basketball net, there’s a “Look at what I did!” factor to the learning process. If working in Illustrator seems like a difficult process, chapter 4 turns it into a very approachable app while sparking the imagination.
Getting Started 116
Artboards 117-121
Add Artboards to the Document 117-118
Edit Artboards 118-119
Rename Artboards 119-120
Reorder Artboards 120-121
Edit Document Setup Options 121
Transform Content 122-137
Rulers + Guides 122-124
Position Objects Precisely 125-126
Scale Objects 126-128
Reflect Objects 128-129
Distort Objects w/Effects 129-131
Rotate Objects 131-132
Shear Objects 133-134
Free Transform Tool 135-137
Free Transform Tool + Touch-Enabled Devices 137
Create a PDF 138
We suggest doing a little extra credit work, on you own. Try creating another object you can distort.
Chapter 5 - Creating an Illustration with the Drawing Tools
For many Illustrator users the pen tool is their favorite. Other users tell us that their precision of the pen does not fit into the fluidity of their workflow.
It’s true that the pen can seem like more of a left brain process, at times, than it is a creative resource. We happen to love working with the pen tools and find that building competence in execution allows it to be far more right brain. It just takes a while to get used to it. Then the process is second nature.
To prove that concept, this chapter has you create an ice cream sundae. You’ll also work with the Pencil tool and Knife. It’s a fun lesson.
Getting Started 142
Pen Tool 142-143
Select Paths 144-145
Constrain Lines 145-146
Curved Paths 147
Components of a Path 148
Draw a Curve w/the Pen Tool 148-149
Draw a Series of Curves w/the Pen Tool 149-150
Convert Smooth Points to Corner Points 150-151
Combine Curves + Straight Lines 153
Ice Cream Project 153-168
Draw the Ice Cream 153-156
Draw Half of the Ice Cream Dish 156-158
Finish the Ice Cream Dish 159-160
Edit Curves 160-161
Delete + Add Anchor Points 162-163
Convert between Smooth Points + Corner Points 163
Archor Point Tool 164-165
Cut w/the Scissors Tool 165-166
Create a Dashed Line 166-167
Cut w/the Knife Tool 167-168
Add Arrowheads 168-169
Draw + Edit w/the Pencil Tool 170-172
We urge you to set aside at least two hours for these lessons. Make up your own extra credit projects. Try some freehand pencil drawing. Trace a photo with the pen tool in a free-form manner. Work until you have a good comfort level and the pen and pencil tools allow your creativity to flow.
Chapter 6 - Using Color and Patterns to Enhance Signage
This chapter has been appropriately renamed for this edition. It’s a fun chapter which should trigger the imaginations of many readers. The projects apply to not just signage, but could be extremely compelling graphics for a website.
The author sparks the creative energy of the readers by feeding them a few options rather than taking a “Do it like this.” approach. For what you have learned up to this point plus the energy of this chapter, you should begin to feel empowered by Ai. They squeezed patterns into this chapter and anyone who has done this has to say, “Cool!” once they’ve created all the trees with just a few steps.
Getting Started 176
Understand Color 177-179
Color Modes 177
CMYK 177
RGB 177
Main Color Controls 178-179
Color 180-200
Apply an Existing Color 180
Create + Save as a Custom Color Swatch 181-182
Create a Copy of a Swatch 182
Edit a Swatch 183
Create + Edit a Global Swatch 183-184
Color Picker to Create a Color 185-186
Illustrator Swatch Libraries 186
Create a Spot Color 186
Pantone Swatches vs Other Swatches 187
Create + Save a Tint of a Color 188
Adjust Colors 189
Copy Appearance Attributes 189
Create a Color Group 190
Color in the Color Guide Panel 191-192
Edit a Color Group in the Edit Colors Dialog Box 193-195
Edit Colors in Artwork 196-197
Adobe Color Themes 197
Assign Colors to Artwork 198-200
Painting Patterns 201-205
Apply Existing Patterns 201
Create a Pattern 201-204
Apply a Pattern 204
Edit a Pattern 204-205
Live Paint 206-207
Create a Live Paint Group 206
Paint w/the Live Paint Bucket Tool 207
Modify a Live Paint Group 208
We’re sure that once you have completed this chapter there will be no need for us to encourage you to do extra credit.
Chapter 7 - Adding Type to a Poster
If it feels like each chapter becomes more dramatic than the one before, it’s no accident. The author of this CIB just keeps building and building on what you have been learning as you go. Ai CC 2014 does some fabulous new things with type, especially if you have a touch device, which allows you to move type around the screen with your fingers.
These projects have to be the most fun you will have worked on yet. The lessons have a great sense of design. Your ability to work with these graphics feels extremely inspirational.
Getting Started 212
Add Type to the Poster Project 213-219
Add Text at a Point 213
Add Area Type 214
Convert Between Area + Point Type 215-216
Import a Plain Text File 216-217
Place Microsoft Word Documents 218
Overflow Text + Text Reflow 218
Thread Text 218-219
Create Columns of Text 220
Format Type 220-233
Change Font Family + Font Style 221-224
Illustrator Package and Typekit Fints 225
Change Font Size 225-227
Change Additional Text Attributes 227-229
Modify Text w/the Touch Type Tool 229-232
Change Paragraph Attributes 232-233
Glyphs 233
Resize + Reshape Type Objects 233-235
Create + Apply Text Styles 235-238
Create + Apply a Paragraph Style 236-237
Edit a Paragraph Style 237
Create + Apply a Character Style 237-238
Edit a Character Style 239
Sample Text Formatting 239
Warp Text 239-240
Reshape Text w/a Preset Envelope Warp 240-241
Edit the Envelope Warp 241-242
Type on a Path 242-245
Create Type on a Path 242-243
Create Type on a Closed Path 243-244
Edit Type on a Path Option 244-245
Wrapping Text Around an Object 245
Create Text Outlines 246
It’s possible to finish the chapter in 75 or so minutes. Then work with these samples for at least another half hour.
Chapter 8 - Organizing Your Artwork with Layers
Layers have become a trademark of most things Adobe. It all got started in Illustrator. Of course, Ai layers have much more oomph, today. It sounds methodical, but you should come to expect this from CIB, by now. It has been turned into a fun set of lessons. And, if that’s not enough, they’ve worked in a lesson on clipping masks, are shown as being relative to layers.
Getting Started 250
Understand Layers 250-252
Create Layers 252-254
Layers + Color 254
Edit Layers + Objects 255-259
Locate Layers 255
Move Layers + Content between Layers 256-259
Merge Layers 260-262
Paste Layers 262-264
Change Layer Order 264
View Layers 265-266
Apply Appearance Attributes to Layers 266-267
Create a Clipping Mask 268-270
Chapter 9 - Blending Colors and Shapes
Again, we’re impressed by the lesson samples in this book. In a short period of time and without great complexity, you learn to do some very absorbing graphics with some compelling visuals. The ship, the whale tail, and the wave visuals are very cool. They’re a joy to work with. The whole project makes the reader see not only technical possibilities but the creative ones, as well.
Getting Started 274
Gradients 275-290
Create + Apply a Linear Gradient to a Fill 275-277
Adjust the Direction + Angle of a Gradient Fill 278-280
Apply a Gradient to a Stroke 280-282
Create + Apply a Radial Gradient 282-283
Edit a Gradient on a Stroke 283-285
Adjust the Radial Gradient 285-286
Apply the Gradients to Multiple Objects 287
Add Transparency to Gradients 289-290
Blended Objects 290-298
Create a Blend w/Specific Steps 290-292
Modify a Blend 292-294
Finish the Blend Project 295-296
Create + Edit Smooth Color Blends 296-298
Chapter 10 - Using Brushes to Create a Poster
We normally associate brushes with apps like After Effects, Flash Professional, and, of course, Photoshop. However, brushes are part of what the best Illustrator artists use to do those posters and newspaper section front pages which grab your attention and won’t let go. If you ever looked at one of them and thought, “How did they do that?” Your answer starts here.
Getting Started 302
Brushes 303
Calligraphic Brushes 303-308
Apply a Calligraphic Brush to Artwork 303-304
Draw w/the Paintbrush Tool 304-305
Edit Paths w/the Paintbrush Tool 306-307
Edit a Brush 307-308
Remove a Brush Stroke 308
Art Brushes 309-311
Apply an Existing Art Brush 309-310
Create an Art Brush Using a Raster Image 310-311
Edit an Art Brush 311
Bristle Brushes 313-316
Change Bristle Brush Options 313
Painting w/Bristle Brush 314-316
Bristle Brush w/Graphic Tablets 316
Pattern Brushes 316-321
Create a Pattern Brush 318-319
Apply a Pattern Brush 320
Editing a Brush 320-321
Blob Brush Tool 322-326
Draw w/the Blob Brush Tool 322-323
Merge Paths w/the Blob Brush Tool 324
Editing w/the Eraser Tool 325-326
The book suggests that you can complete this chapter in an hour. Our take is that you set aside a half day, minimally, and use what’s in this chapter to reshape your career. Each of this brush sections are fabulous learning endeavours. Entire books could be done on the Bristle Brush or the Blob Brush tools.
Chapter 11 - Exploring Creative Uses of Effects and Graphic Styles
This is a very exciting set of lessons. The chapter title cannot tell the entire story. It sounds like it’s all fun and games, but tools like the Appearance panel have become Ai essentials. Learning Live Effects is very empowering. There are aspects of 3D which must be understood.
Getting Started 330-331
Appearance Panel 332-339
Edit Appearance Attributes 333-334
Add Another Stroke + Fill 335-337
Reorder Appearance Attributes 338-339
Apply an Appearance Attribute to a Layer 339
Live Effects 339-344
Vector (Illustrator) Effects 339
Raster (Photoshop) Effects 339
Apply an Effect 340
Edit an Effect 340-341
Style Text w/a Warp Effect 341-342
Edit Shapes w/a Pathfinder Effect 342
Apply the Offset Path Effect 343-344
Apply a Raster Effect 344-347
3D Effects 346
Apply a 3D Rotate Effect 346-347
Graphic Styles 348-356
Apply an Existing Graphic Style 348-349
Create + Apply a Graphic Style 349-351
Top Fill Attribute Row 350
Middle Fill Attribute Row 350
Bottom Fill Attribute Row 350
Apply a Graphic Style to Text 352
Update a Graphic Style 352-354
Update a Graphic Style to a Layer 354-355
Apply Multiple Graphic Styles 355
Scale Strokes + Effects 356
Chapter 12 - Creating a Product Mockup in Perspective
This lesson is a classic example of the great elegance which can be created in Illustrator. 3D and perspective are the tools of some of Ai’s most accomplished artists. Some of those projects become quite complex. However, this set of lessons focuses on packaging. Just the same, that chapter takes you through the foundations of working with the grid, so the readers feels like they have all the basics of creating a drawing with a cityscape.
Getting Started 360
Perspective Grid Overview 361
Perspective Grid 362-380
Preset Grid 362
Adjust the Perspective Grid 362-364
Draw Objects in Perspective 365-366
Select + Transform Objects in Perspective 367-368
Duplicate Content in Perspective 369-370
Move Objects in a Perpendicular Direction 370
Move Planes + Objects Together 370-372
Bring Content into Perspective 373
Draw w/No Active Grid 374
Add + Edit Text in Perspective 375
Move a Plane to Match an Object 376-377
Automatic Plane Positioning 377
Add Symbols to the Perspective Grid 378
Edit Symbols in Perspective 378-379
Group Content in Perspective 379
Release Content from Perspective 380
Some readers will complete the chapter in an hour. However, these concepts and interface are a bit unique compared to the rest of the app. So if it takes 90 minutes or even a couple hours, it’s better to take it slow and be sure you understand all of it.
Chapter 13 - Using Symbols to Create a Map
The now discontinued (but still available) Fireworks CS6 had (has) a strong direction in symbols. To some degree, Illustrator picks up on that. Since chapter 12 concluded with symbols, this is a nice progression.
This is not a difficult chapter, but the challenge in it should be to your imagination. After you get comfortable with the concepts, try asking yourself, “How can I use these tools to make my work easier?”
Getting Started 384
Symbols 385-394
Existing Illustrator Symbol Libraries 385-387
Edit a Symbol 387-388
Create Symbols 388-389
Symbol Options 389
Duplicate Symbols 390-391
Replace Symbols 391-392
Symbol Layers 393
Break a Link to a Symbol 393-394
Symbol Edit Options 394
Symbolism Tools 394-398
Spray Symbol Instances 394-396
Edit Symbols w/the Symbolism Tools 396-397
Symbolism Tool 397
Store + Retrieve Art in the Symbols Panel 398
Creative Cloud Design Libraries 398
Chapter 14 - Using Illustrator CC with Other Adobe Applications
What makes the new Creative Cloud subscription so powerful is your access to all 16 core desktop apps for one monthly price. This chapter further tickles your imagination about Ai by showing what can be done with Illustrator + Bridge and Photoshop. If they gave us 100 pages on this topic we’d still come up with more ways to use Ai with other CC apps.
Getting Started 402-403
Bridge 403
Combine Artwork 403
Place Image Files 404-411
Place an Image 404-405
Scale a Placed Image 405-406
Place a Photoshop Image w/Show Import Options 406-408
Place Multiple Images 409-410
Apply Color Edits to an Image 410-411
Mask an Image 411-419
Apply a Simple Mask to an Image 411-412
Edit a Clipping Path (mask) 412-414
Mask an Object w/Text 414
Mask an Object w/Multiple Shapes 415
Create an Opacity Mask 415-416
Edit an Opacity Mask 417-419
Sample Colors in Placed Images 419
Image Links 419-424
Find Link Information 420
Embed + Unembed Images 421
Replace a Linked Image 421-424
Package a File 424
Chapter 15 - Preparing Content for the Web
It’s interesting that this chapter follows one on other CC apps. There was a time when web content would be created in Illustrator and then opened in another app, to prepare such graphics for web integration.
That speaks volumes about the role Ai has come to play and the new tools Adobe has introduced into Illustrator, to assist in accomplishing those projects. However, it also tells us that Ai users need to have background and skill sets, which may not have been expected of them in the past.
If you are clueless about Cascading Style Sheets (CSS). starting on pages 437-447, you’ll feel a little lost. However, if you have some Dreamweaver background, this will feel like Santa just came down your chimney.
Getting Started 428-429
Save Content for the Web 429-437
Align Content to the Pixel Grid 429-432
Slice Content 432-434
Select + Edit Slices 434-435
Use the Save for Web Command 435-437
Create CSS Code 437-450
Set Up a Design for Generating CSS 438-440
Work with Character Styles + CSS Code 441-442
Graphic Styles + CSS Code 443
Copy CSS 444-445
Export CSS 446-447
Save Artwork as SVG 447-449
Copy + Paste from Illustrator 449
SVG + Fonts 450
Scalable Vector Graphics (SVG) has been talked about, at length, by many web designers. The final lessons of this chapter show how easy it is to create graphics which permit you to zoom into them, in a web browser, or in an app, and see fabulous detail. If pages 447-450 didn’t make the possibilities seem obvious, think in terms of a city map and the ability to zoom into just a few blocks.
Conclusion
This is one of our favorite CIBs in the entire series of 12 books for the 16 core desktop apps. It’s fun. It’s brilliant. It’s empowering. We’ve worked on a few other Ai books, but we have to admit that this one is nothing short of awesome.
It’s a VERY solid 5 stars.
12 of 13 people found the following review helpful.
Another Home Run from Adobe Press - perfect for anyone into Hackschooling and wanting to learn Illustrator
By Jeri Zerr
Locally one of our universities offers a 3 day intensive course in Adobe Illustrator at a cost of over $500 - that's when paying for all 3 days at once, otherwise it is over $750 for the 3 day intensive course. The problem was another student came to class every day - SICK with the flu, before the week was over many of us undoubtedly caught her bug. In the days prior when most of us were relatively healthy, people's cell phones kept vibrating them to leave the classroom. Sure everyone turned their ringers off, but the commotion of so many going in and out throughout the class was distracting. I missed a few key parts then was behind the entire rest of the series. Frustrating to say the least.
The Adobe Illustrator Classroom in a Book is a FAR better value, particularly when combined with the plethora of Youtube videos available, many of them directly from Adobe. If you are someone who needs that classroom interaction and you live close to a training center AND you can afford it, then by all means go for it. However, if you are like us IT or Techie types who study better alone, working at our own pace, then Illustrator is perfect. I'm one of those who prefer to have the physical book, however I've found the Adobe series far easier to utilize on my Kindle while I'm working at the computer. Don't have a Kindle? Virtually any tablet will work!
I highly recommend a Wacom pen tablet, too, if feasible.
6 of 6 people found the following review helpful.
GREAT BOOK!!!
By Richard Valentine
I am a professional designer with over three years VERY ACTIVE experience, using Illustrator and other applications in the Adobe Suite. This book is SPOT ON. I read some of the negative feedback. In almost every case, it appears that the individual either gave up too soon, or didn't know what he or she was doing as far as basic computer skills are concerned. Right from the start, I found that I was learning things I have been completely unaware that even existed within the program itself. The book is big, though you can get through it in two weeks by completed one chapter a day (each chapter should take no longer than an hour or two). I HIGHLY recommend this book. I rented it, though I am thinking about keeping the book because I want to keep it on my desk at work as a reference tool. The guys at work laughed at me, thinking it would be too basic, but it covers all the ins and outs of Adobe Illustrator. Definitely a five star book.
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