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A second family has been massacred by the terrifying serial killer the press has christened ?The Tooth Fairy.? Special Agent Jack Crawford turns to the one man who can help restart a failed investigation?Will Graham. Graham is the greatest profiler the FBI ever had, but the physical and mental scars of capturing Hannibal Lecter have caused Graham to go into early retirement. Now, Graham must turn to Lecter for help.
- Sales Rank: #11279 in Books
- Brand: Harris, Thomas
- Published on: 2009-01-06
- Released on: 2009-01-06
- Original language: English
- Number of items: 1
- Dimensions: 7.60" h x 1.00" w x 4.25" l, .55 pounds
- Binding: Paperback
- 464 pages
Amazon.com Review
Lying on a cot in his cell with Alexandre Dumas's Le Grand Dictionnaire de Cuisine open on his chest, Hannibal "The Cannibal" Lecter makes his debut in this legendary horror novel, which is even better than its sequel, The Silence of the Lambs. As in Silence, the pulse-pounding suspense plot involves a hypersensitive FBI sleuth who consults psycho psychiatrist Lecter for clues to catching a killer on the loose.
The sleuth, Will Graham, actually quit the FBI after nearly getting killed by Lecter while nabbing him, but fear isn't what bugs him about crime busting. It's just too creepy to get inside a killer's twisted mind. But he comes back to stop a madman who's been butchering entire families. The FBI needs Graham's insight, and Graham needs Lecter's genius. But Lecter is a clever fiend, and he manipulates both Graham and the killer at large from his cell.
That killer, Francis Dolarhyde, works in a film lab, where he picks his victims by studying their home movies. He's obsessed with William Blake's bizarre painting The Great Red Dragon and the Woman Clothed with the Sun, believing there's a red dragon within him, the personification of his demonic drives. Flashbacks to Dolarhyde's terrifying childhood and superb stream-of-consciousness prose get us right there inside his head. When Dolarhyde does weird things, we understand why. We sympathize when the voice of the cruel dead grandma who raised and crazed him urges him to mayhem--she's way scarier than that old bat in Psycho. When he falls in love with a blind girl at the lab, we hope he doesn't give in to Grandma's violent advice.
This book is awesomely detailed, ingeniously plotted, judiciously gory, and fantastically imagined. If you haven't read it, you've never had the creeps. --Tim Appelo
Review
Acclaim for the novels of Thomas Harris:
For Black Sunday:
"Frighteningly believable."—Chicago Tribune
"Suspenseful, nightmarish."—Los Angeles Times
"Breathtaking. All forces converge with an apocalyptic bang!"— New York Times
"Fast-paced, all too realistic... with a shattering climax."—Kirkus Reviews
"A spellbinder... The race to save the Super Bowl is hair-raising, one that will keep you rooted to your chair."—Hartford Courant
For Red Dragon:
"Red Dragon is an engine designed for one purpose—to make the pulse pound, the heart palpitate, the fear glands secrete."—New York Times Book Review
"A gruesome, graphic, gripping thriller... Extraordinarily harrowing."—Plain Dealer, Cleveland
"Want to faint with fright? Want to have your hair stand on end? Want to read an unforgettable thriller with equal parts of horror and suspense? Harris was obviously only warming up with his best seller Black Sunday."—Daily News, New York
"Irresistible... A shattering thriller... Readers should buckle themselves in for a long night's read because from the first pages... Harris grabs hold."—Publishers Weekly
"The scariest book of the season."—Washington Post Book World
"Easily the crime novel of the year."—Newsday
From the Inside Flap
MEET HANNIBAL LECTER FOR THE FIRST TIME.
In the realm of psychological suspense, Thomas Harris stands alone. Exploring both the nature of human evil and the nerve-racking anatomy of a forensic investigation, Harris unleashes a frightening vision of the dark side of our well-lighted world. In this extraordinary novel, which preceded The Silence of the Lambs and Hannibal, Harris introduced the unforgettable character Dr. Hannibal Lecter. And in it, Will Graham--the FBI man who hunted Lecter down--risks his sanity and his life to duel a killer called the...Red Dragon
Most helpful customer reviews
133 of 146 people found the following review helpful.
unsettling
By Orrin C. Judd
Harris first rocketed up the bestseller lists with his excellent terrorism thriller Black Sunday. His antihero Hannibal the Cannibal exploded into the public consciousness after Jonathan Demme's excellent movie version of Silence of the Lambs (1991) came out, with Anthony Hopkins brilliant creepy performance as Lecter. And, of course, fans and Hollywood have had an anxious 11 year wait for Harris to finally publish a sequel. But many people may not realize that Hannibal Lecter first appeared, albeit in a cameo role, in the novel Red Dragon and in Michael Mann's capable movie version, Manhunter (1986). If you've missed this book, I urge you to try it; in many ways it is Harris's best work.
FBI Special Will Graham has retired to Sugar Loaf Key, FL with his new wife Molly and her son Willie. Retired because of his nearly fatal encounter with a linoleum knife wielding Hannibal Lecter, whose capture he was responsible for, and because of the emotional troubles that have accompanied his ability to develop an almost extrasensory empathy for such killers, such that he has trouble purging their feelings from his own psyche. His peaceful idyll is disrupted when his old boss, Jack Crawford, shows up and asks for his help in catching The Tooth Fairy, a serial killer who is notorious for the tooth marks he leaves and for dicing his victims with shards of broken mirrors. Reluctantly agreeing to join the chase, Graham decides, in order to recapture the mindset that has made him so eerily effective in prior cases, to visit Hannibal Lecter in the Chesapeake State Hospital for the Criminally Insane. There the administrator, Dr. Frederick Chilton, shares an anecdote about Hannibal that demonstrates just how horrible he is:
"On the afternoon of July 8, 1976, Dr. Lecter complained of chest pain. His restraints were removed in the examining room to make it easier to give him an electrocardiogram. One of his attendants left the room to smoke, and the other turned away for a second. The nurse was very quick and strong. She managed to save one of her eyes."
"You may find this curious." He took a strip of EKG tape from a drawer and unrolled it on his desk. He traced the spiky line with his forefinger. "Here, he's resting on the examining table. Pulse seventy-two. Here, he grabs the nurse's head and pulls her down to him. Here, he is subdued by the attendant. He didn't resist, by the way, though the attendant dislocated his shoulder. Do you notice the strange thing? His pulse never got over eighty-five. Even when he tore out her tongue.
I don't think we're any closer to understanding him than the day he came in.''
After tabloid reporter Freddie Lowndes splashes this visit all over the pages of The Tattler, the killer too contacts Lecter who urges him to attack Graham. Thus begins a suspenseful, violent minuet as Graham develops increasing insight into the killer's methodology and psychoses, the killer plans his next kill (he's on a Lunar schedule) and Hannibal pulls strings from the dark background. Harris provides fascinating detail on police procedure, he writes savvily about how the FBI uses the media and the inventiveness of the crimes he dreams up is genuinely disturbing. But the most interesting part of the story is the delicate mental balance that Graham has to maintain in order to think like the killers but still remain sane. And as Graham penetrates further into the killer's mind, Harris reveals more and more background about the Tooth Fairy, Francis Dolarhyde, who it turns out was a horribly misshapen baby, abandoned by his mother and raised by a demented grandmother, early on manifesting the now classic signs of the serial murder--torturing animals and the like. This background and Will Graham's troubles dealing with the thought patterns he shares with Dolarhyde raise questions about what separates us from such men and whether there's a formula for creating such evil beings. Is it really simply a matter of psychosexual abuse of young boys and, presto chango, you've created a serial killer?
In addition to this kind of portrayal of the psychotic as victim, our effort to deal with these creatures has resulted in a sizable batch of thrillers where the serial killer is portrayed as a nearly superhuman genius. This flows from the same impulse that makes folks so willing to believe that assassinations are conspiracies. It is extremely hard, as a society, to face the fact that nondescript shlubs like David Berkowitz and Lee Harvey Oswald and Richard Speck and James Earl Ray are really capable of causing so much social disruption. Their crimes are so monumental that we want the killers to be equal in stature to the crimes. The sad truth of the matter is that these monsters are, in fact, generally hapless losers. They are not Lecterlike geniuses.
That said, Hannibal is still one of the great fictional creations of recent times, our age's version of Dracula or Frankenstein, and Harris's imaginative story makes for a great, albeit unsettling, read with more food for thought than most novels of the type.
GRADE: A
50 of 56 people found the following review helpful.
The best of all Harris books
By A Customer
I doubt that anyone would argue the fact that this is the best of Harris's books, though RED DRAGON and BLACK SUNDAY are excellent, too. Any would-be author should read any of these as textbook examples displaying how "brevity of description" --as opposed to long drawn-out descriptions of a person or place in a scene--can be so powerful. For instance, Clarice Starling is simply described in her own thougths as someone who "knew she could look allright without primping" and that left you with the image of a great-looking female protagonist. Harris, and lesser known but equally as talented fellow Mississippi author Charles Wilson are two of the best I've ever read at being able to pull this "brevity" off. In fact, the above mentioned books of Harris, along with Wilson's GAME PLAN, DONOR, and NIGHTWATCHER, are among the most visual books I've ever read, without boring you with "too-much" description to get that effect. By the way, for those who loved SILENCE in particular, and haven't read Wilson, they should try NIGHTWATCHER for a read very similar to SILENCE in its story line and fear factor, with possibly better laid-out character development in NIGHTWATCHER--but hey, all of them top notch reads.
26 of 28 people found the following review helpful.
gripping
By Joe Sherry
Having seen the movie adaptation of "The Silence of the Lambs" several times, it seemed at times that I could see the action on the pages of the book rather than just reading them. I cannot help but see Jodie Foster as Clarice Starling and it is the voice of Anthony Hopkins I hear when Hannibal Lecter speaks. While this may limit how I view the characters, this does not detract at all from the book and I feel that in many ways, the novel is superior and is still gripping despite my familiarity with the story.
Clarice Starling is in training at the FBI Academy. She is a star student in the Behavioral Sciences Division when the Department Chief, Jack Crawford, calls her into his office and gives her a job. She is to interview one Dr Hannibal "The Cannibal" Lecter in order to help get into the mind of a serial killer. There is an open case with a serial killer who has been nicknamed "Buffalo Bill", and Dr. Lecter may be the only chance to solve the case without there being many more murders. Starling is only a trainee, and this may be why Lecter is actually willing to speak to Starling about Buffalo Bill, though he is always holding something back.
Lecter is a villain of extreme intellect and this comes through in his dialogue. Like "Red Dragon", Dr. Lecter is not the central villain and the story does not revolve specifically around him (though he has a larger role this time around). Lecter does play a pivotal role because without him, the story cannot move forward. We never truly get into the psyche of Jame Gumb (not as much as we did with Frances Dolorhyde in "Red Dragon"), and it seems as if most of his actions happen off camera.
While Lecter is a very interesting character, it is Clarice Starling that we get to see grow as a character and become more confident and insistent in her work with Lecter and to catch "Buffalo Bill" even though she is only a trainee. She was put on this case and she intends to see it through.
As creepy as the movie could be, I loved this book. It had a very fast pace and stayed interesting throughout the story and it didn't matter that I had seen the movie multiple times. I was interested in the story Thomas Harris was telling. While Harris goes into detail about crimes, it doesn't feel very gory or unnecessary. It seems that this novel was a best seller in the late 80's and it is easy to see why. "The Silence of the Lambs" is a well told thriller and any fans of James Patterson and that genre should definitely give this one a look.
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